This article originally appeared on People.com.
On Saturday, McGowan, who claims Weinstein assaulted her in the past, called out the Oscar winner on Twitter, writing that Streep continued to work with the disgraced producer for years despite his bad reputation. The Scream actress also slammed a proposed plan to protest sexual misconduct in Hollywood by wearing black to the Golden Globes, sarcastically suggesting the women instead wear dresses by Marchesa, the fashion label founded by Weinstein’s estranged wife, Georgina Chapman. (McGowan has since apologized for suggesting the women wear Marchesa dresses, tweeting that the comment “was beneath” her.)
“It hurt to be attacked by Rose McGowan in banner headlines this weekend, but I want to let her know I did not know about Weinstein’s crimes, not in the 90s when he attacked her, or through subsequent decades when he proceeded to attack others,” Streep said in a statement Monday.
In McGowan’s tweet, which has since been deleted, she wrote, “Actresses, like Meryl Streep, who happily worked for The Pig Monster, are wearing black @goldenglobes in a silent protest. YOUR SILENCE is THE problem. You’ll accept a fake award breathlessly & affect no real chance. I despise your hypocrisy. Maybe you should all wear Marchesa.”
Streep’s statement continued:
“I wasn’t deliberately silent. I didn’t know. I don’t tacitly approve of rape. I didn’t know. I don’t like young women being assaulted. I didn’t know this was happening.
I don’t know where Harvey lives, nor has he ever been to my home.
I have never in my life been invited to his hotel room.
I have been to his office once, for a meeting with Wes Craven for “Music of the Heart” in 1998.
HW distributed movies I made with other people.
HW was not a filmmaker; he was often a producer, primarily a marketer of films made by other people- some of them great, some not great. But not every actor, actress, and director who made films that HW distributed knew he abused women, or that he raped Rose in the 90s, other women before and others after, until they told us. We did not know that women’s silence was purchased by him and his enablers.
HW needed us not to know this, because our association with him bought him credibility, an ability to lure young, aspiring women into circumstances where they would be hurt.
He needed me much more than I needed him and he made sure I didn’t know. Apparently he hired ex Mossad operators to protect this information from becoming public. Rose and the scores of other victims of these powerful, moneyed, ruthless men face an adversary for whom Winning, at any and all costs, is the only acceptable outcome. That’s why a legal defense fund for victims is currently being assembled to which hundreds of good hearted people in our business will contribute, to bring down the bastards, and help victims fight this scourge within.
Rose assumed and broadcast something untrue about me, and I wanted to let her know the truth. Through friends who know her, I got my home phone number to her the minute I read the headlines. I sat by that phone all day yesterday and this morning, hoping to express both my deep respect for her and others’ bravery in exposing the monsters among us, and my sympathy for the untold, ongoing pain she suffers. No one can bring back what entitled bosses like Bill O’Reilly, Roger Ailes, and HW took from the women who endured attacks on their bodies and their ability to make a living.. And I hoped that she would give me a hearing. She did not, but I hope she reads this.
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I am truly sorry she sees me as an adversary, because we are both, together with all the women in our business, standing in defiance of the same implacable foe: a status quo that wants so badly to return to the bad old days, the old ways where women were used, abused and refused entry into the decision-making, top levels of the industry. That’s where the cover-ups convene. Those rooms must be disinfected, and integrated, before anything even begins to change.”
Over the weekend, Amber Tamblyn criticized McGowan‘s tweets, accusing her friend of “shaming” and “taunting” the women who planned to take part in the protest. “This is beneath you, Rose,” she wrote on Twitter.
Over 50 women have accused Weinstein, 65, of sexual assault and misconduct since The New York Times and The New Yorker documented decades of alleged sexual misconduct and sexual assault involving a number of women in detailed articles in October. McGowan was one of the first women to come forward — accusing the producer of rape.
Streep first spoke out about the allegations in October, writing in a statement, “The disgraceful news about Harvey Weinstein has appalled those of us whose work he championed, and those whose good and worthy causes he supported. The intrepid women who raised their voices to expose this abuse are our heroes.”
The actress continued, “One thing can be clarified. Not everybody knew. Harvey supported the work fiercely, was exasperating but respectful with me in our working relationship, and with many others with whom he worked professionally.”
Streep was nominated for an Academy Award for her turn in 2013’s August: Osage County, which Weinstein executive produced. She won an Academy Award for 2012’s Weinstein Company release, The Iron Lady. At the 2012 Golden Globes, upon accepting the award for Best Actress (Drama) for her performance in The Iron Lady, Streep said: “I just want to thank my agent and God Harvey Weinstein.”
In a statement to PEOPLE, Weinstein’s attorneys have denied any allegations of sexual assault.
“Mr. Weinstein has never at any time committed an act of sexual assault, and it is wrong and irresponsible to conflate claims of impolitic behavior or consensual sexual contact later regretted, with an untrue claim of criminal conduct,” his lawyers said. “There is a wide canyon between mere allegation and truth, and we are confident that any sober calculation of the facts will prove no legal wrongdoing occurred.
“Nonetheless, to those offended by Mr. Weinstein’s behavior, he remains deeply apologetic.”
The post Meryl Streep Fires Back After Rose McGowan Calls Her Protest of Harvey Weinstein Hypocritical appeared first on News Wire Now.
Diane Keaton Dishes on Talk Show Style and Modeling for Gucci
Diane Keaton is a talk show veteran. Over the course of her impressive career, the actor has sat down with David Letterman, Jimmy Kimmel and everyone else in between. Along the way, she’s always served bold fashion, bringing her penchant for strong shapes, dramatic chapeaus, and black-and-white ensembles to our TV screens. Where other Hollywood actors often embrace glitz and glam for press appearances, Keaton has always stayed true to her more quirky, menswear-inspired look no matter the occasion.
It’s no wonder, then, that Gucci has tapped her for a new talk show-inspired campaign for Gucci Beloved. The photo series, directed by Harmony Korine and released today, highlights the label’s four most beloved handbag styles, including the Dionysus and Jackie 1961 bags. To showcase them, creative director Alessandro Michele recreated a late-night talk show set for the shoot (complete with James Corden as host) titled the “Beloved Show.” They enlisted Hollywood stars to guest-star while toting the classic bags. “Very often, these creations are named after influential women,” says Michele. “Now, we twisted with the idea that there were two stars: the bag and the actual talent.”
The campaign features cameos from Keaton, Awkwafina, Dakota Johnson, Harry Styles, Serena Williams, and Sienna Miller, all of whom sport the luxury bags. But Keaton’s cameo undoubtedly stands out. In the photos, she wears a tan suit, red beret, and Gucci’s monogram Horsebit 1955 bag—a very Keaton look. “Not only is Alessandro beyond talented and gorgeous, I love his vision and his gentle nature,” says Keaton of the campaign. “I must also say that working with James Corden was a delight. He is so relaxed and born to be a hilarious host. It’s not fair.”
Starring in Gucci’s faux talk show was an easier task than partaking in the real deal, says Keaton. “I always prepare and I am always anxious. It is my nature,” she says, adding that she’s developed a nervous habit on the talk shows. “No matter what I wear, if you look closely, you will notice I always sit on my leg. It ruins every outfit, but it is something I inherited from my dear father, Jack Hall.”
While Keaton has enjoyed many fashion home runs on the talk shows over the years—please refer to the “dope” cap she wore on Ellen in 2018 for evidence—the star says she does have her favorite moments. Particularly, the frequent fashion talk on Letterman. “David Letterman always wanted to talk about what I wear,” recalls Keaton. “On several trips to his show, he wanted to focus on my outfit that I wore to the Oscars in 1978 [a Giorgio Armani blazer and skirt]. I put together the outfit and I thought I looked good. I got lots of slack for that, but I honestly wear what I like and I thought that ensemble was stylin’!”
And she’s right! What has made Keaton such an indelible style icon is her consistency and personality. But this spring and summer, she’s looking to shake things up… Just a bit. “I think I will give navy blue a try this spring, but I am never letting go of black, camel, and white for the spring and summer. Don’t forget with gloves, plus hats!”
Below, more of the celebrity cameos in Gucci Beloved’s new campaign.
Read from source: https://www.vogue.com/article/diane-keaton-gucci-campaign-star
‘Visionary’ music producer Sophie dies aged 34
Sophie, the Grammy-nominated experimental pop musician and producer, has died aged 34 following a “sudden accident” in Athens.
The Glasgow-born artist worked with the likes of Madonna and Charli XCX.
In a statement, Sophie’s management said the musician had died at around 04:00 on Saturday in the Greek capital, where she had been living.
“Sophie was a pioneer of a new sound, one of the most influential artists in the last decade,” they said.
A further statement from Sophie’s record label Transgressive, explained how the “terrible accident” had occurred.
“True to her spirituality she had climbed up to watch the full moon and slipped and fell,” they posted online. “She will always be here with us.”
“The family thank everyone for their love and support and request privacy at this devastating time.”
Sophie was also known as a transgender icon, after affirming their identity in the 2017 video for It’s Okay To Cry.
The artist’s management said she would be remembered “not only for ingenious production and creativity but also for the message and visibility that was achieved. An icon of liberation”.
Sophie’s innovative productions drew on pop, trance and underground dance music, mixing them with warped, disorientating waveforms to create a sound that was both instantly recognisable and highly in-demand.
Madonna sought Sophie out to co-produce the 2015 single Bitch, I’m Madonna; while Charli XCX worked with the musician on her abrasive, avant-garde EP, Vroom Vroom and the hit single After The Afterparty.
Sophie’s debut album, Oil of Every Pearl’s Un-Insides, followed in 2018, exploring questions of identity, non-conformity and reinvention, while expanding her trademark sound with longer, more explorative tracks.
“Crossing boundaries of pop music and chasing transcendence, Sophie achieves the rare feat of making abstract, difficult electronic music that hits you straight in the heart,” wrote the NME in a four-star review.
The album was subsequently nominated for a Grammy for best dance/electronic album.
French pop act Héloïse Letissier, aka Christine and the Queens led the tributes to the late star, whose full name was Sophie Xeon.
Writing on Twitter, Letissier described Sophie as a “stellar producer”, “a visionary”, and “a pioneer”.
“She rebelled against the narrow, normative society by being an absolute triumph, both as an artist and as a woman” she added.
London-based Japanese singer Rina Sawayama echoed those sentiments, calling Sophie an “icon”. “The world and our community has lost a beautiful soul,” she tweeted.
Guitar hero Nile Rodgers said she was an “innovative”, “dynamic”, and “warm” person.
“Heart-breaking news,” added singer Sam Smith.
“The world has lost an angel. A true visionary and icon of our generation. Your light will continue to inspire so many for generations to come.”
After being given the Innovator gong at the Association of Independent Music (AIM) Awards in 2018, Sophie used the platform to promote trans rights.
“To be truly deserving of this award involved not only changing the sound of today’s music, but also ripping apart a deeply entrenched and deeply flawed patriarchal society,” said the producer while collecting the award.
“Creating a more diverse, inspiring and meaningful future for us and the generations whose lives our decisions affect and help shape.”
Read from source: https://www.bbc.com/news/entertainment-arts-55860938
Ralph & Russo put Dubai on the fashion map
Ralph & Russo is an international luxury fashion brand known for its designs that are described as both contemporary and timelessly elegant. The brand was created in London in 2010 by Tamara Ralph and Michael Russo. In 2014, it became the first British guest member in almost 100 years to be invited by the Chambre Syndicale de la Haute Couture to show their first runway collection as part of the Spring/Summer season.
In an inclusive interview with founders, Tamara and Michael, Euronews’ Jane Witherspoon got the lowdown on the iconic brand.
How did the brand come about, what did you want that brand to stand for?
Tamara Ralph: It really grew out of a passion for luxury and craftsmanship and design. I come from four generations of fashion and haute couture in my family. And when we had a chance meeting, it was something that we talked about, setting up a luxury brand. And we always had a vision to have a global luxury brand.
You were invited to join the Chambre Syndicale de la Haute Couture in Paris, the first British brand to showcase a Fashion Week in almost 100 years.
Tamara Ralph: It was really quite a big milestone and the first Australians ever to be invited. And you know it was always something that was very important for the brand. To be recognised by the Chambless Syndicale was an incredibly important achievement.
We had obviously, the support of Didier Grumbach, at the time who was the president and was actually responsible for discovering a lot of the big names in fashion and nurturing their careers. So it was wonderful to have the support.
How do you personally define couture?
Tamara Ralph: Couture is an art. You know, all of our clients that purchase couture, they purchase it for generations. It’s really something that’s an investment. It’s like a piece of jewellery. It’s something that you’ll pass down and keep forever. And for us, that’s really special.
How have dressmaking techniques changed over the years? How have you adopted the changes? Have you stayed traditional?
Tamara Ralph: So we have a really big atelier, actually, that specialises in the couture side. And then we have obviously craftsmen in the house that specialise in other product categories, such as ready to wear and things like that. But in the couture atelier, there’s forty-five languages spoken. There’s ages ranging from 16 all the way up until the 60s. And it’s really nice to have that mix of the old techniques get more modern applications and things like that. We like to push and constantly innovate. We run apprentice programmes in-house where we can train and develop and innovate as well. So that’s really important.
You’ve dressed many wonderful clients, like Meghan Markle. Is that a challenge? How exciting or daunting is it?
Tamara Ralph: No, I think it was very it was very exciting, obviously, you know.
I think it was such an iconic moment because obviously not just because of the two of them, but also because of her choice of piece for the day, which was, you know, a little bit different to what I think, you know, some people were expecting. And I think that’s nice. It showed her personality. It pushed the boundaries.
Do your clients have much input if you’re designing something specific and special for them, or do you come up with the idea and see it through to completion?
Tamara Ralph: Both
Michael Russo: We’ve had some really diverse celebrity moments from stage outfits for Beyonce to the costume outfits for Angelina Jolie, for Maleficent. It’s been so diverse. So the challenge is always there.
Tamara Ralph: Yeah but also I think with clients, all of our private clients, it’s a very personal experience, you know, no matter if they’re a celebrity or a private client. And, you know, we love to guide them and be part of the process and be very involved.
How hard has it been to showcase virtually?
Tamara Ralph: It was an evolution, that’s for sure. I think that it’s difficult to create the connection that you have with the physical show. I think that was something that was the hardest part to kind of keep, alive. But I loved the innovations and things.
I thought it was very interesting just to push the boundaries with digital, to play with new ideas. But, you know, I think that the traditional fashion shows are still very important and are important to get that sense of what the collection is about, So, you know, a balance of both going forward. I think one is just as important as the other.
Why did you choose to launch in Dubai?
Michael Russo: Well, I think Dubai has got such a multicultural following, and I think for us as well, it’s a product that’s well suited for the market.
It’s got a customer base that’s very akin to Ralph & Russo and well known to Ralph & Russo. For us in this region, it was definitely our first flagship in the region.
Would you say you have a different clientele in Dubai?
Michael Russo: I think in Dubai we find that there’s a lot of tourists here and those tourists are typically Ralph Russo clients already. So the products that we’re offering here are still akin to the ones that we use worldwide and I think relevant to our worldwide customer as well as the local market. So I think it’s a nice little mix of local and international clients.
Do you think that the fashion scene in Dubai is growing? How does it compare to known fashion cities like New York, Milan, London and Paris.
Tamara Ralph: Well, I think it’s definitely, you know, integral to the Gulf region. Yeah, you know, it’s really the hub of the region. It’s so incredibly international. And I think, you know, it’s a huge destination for fashion for the region. So, yeah, I think it’s incredibly important.
You’re about to become a mum for the first time, how is that going to change your work-life balance?
Tamara Ralph: Yeah, of course. I mean, it teaches you definitely to kind of find that balance, which I think I probably didn’t have before. And so, you know, I have a great team.
You know, we have an amazing support structure internally in the company. And we’ll find a way, you know, and plus it might be a chance to kind of venture into a full fledged childrenswear line. You know, well, I’m having a girl, so now we have our first model.
You’re expanding into accessories, are there beauty lines down the line?
Tamara Ralph: What’s been amazing actually through, just before Covid and also through Covid is, you know, a few different things. We were able to kind of reset our thinking, focus on what we’d like to achieve in the next couple of years. And so, you know, cosmetics and beauty is something we’re very interested in. Home and furnishings and everything connected to that sector is actually something that we’ve been slowly putting in the works for a little bit of time.
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