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Public review open for David Hammonss Days End proposal

Rendering of the proposed project Day's End by David Hammons
Courtesy Guy Nordenson and Associa..

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Rendering of the proposed project Day's End by David Hammons
Courtesy Guy Nordenson and Associates

A public review process launched on Wednesday (20 June) for the Whitney Museums proposal to install a permanent work of public art by David Hammons on the Hudson River at the site of the former Pier 52. Members of the community now have 60 days to review the plans on the Hudson River Park Trusts website, as well as research into the installations expected impact, and can share their comments and questions at a public hearing due to be held at the museum on 23 July.

The Whitney first revealed its proposal to the public at a community board meeting last year, where its director Adam Weinberg explained the inspiration behind Hammonss Days End, a “ghost monument” to Gordon Matta-Clarks architectural intervention on an abandoned warehouse. The sculpture, a stainless-steel frame of the building installed on 8-inch concrete pylons embedded in the river, “would be placed at the precise historic location of its famous namesake, outlining the exact dimensions of the former Pier 52 shed where Matta-Clark created a sun and water temple filled with undulating light,” according to a joint statement from the museum and the trust.

Rendering of the proposed project Day's End by David Hammons
Courtesy Guy Nordenson and Associates

“Employing the thinnest possible support system and appearing as a pencil sketch in the sky, Day's End would extend over the water”, according to the statement, seeming to float along the southern edge of the Gansevoort Peninsula and across the highway from the Whitney Museum. At the hearing last year, Weinberg called the work “a drawing in space that has an evanescent quality”, adding: “You have a sense that this is something that was always there… yet it sort of disappears a little bit.”

The Whitney will cover the fundraising costs and long-term upkeep of the work, including creating a $25,000 escrow fund for annual maintenance, but after it is installed Days End will become part of the Hudson River Parks property. Although an overall project budget has yet to be released, a spokesman for the Whitney told the New York Times that the museum has requested a total of $5m in capital funding for the project from New York City, but that most of the costs would be raised privately.

“We are deeply grateful for the support Days End has already received from neighbourhood, LGBTQ, arts, historic preservation and environmental groups, and we look forward to the next steps in this exciting project," Weinberg says in a statement. “As part of our move downtown, we committed to giving back to the community. Our hope and our goal is that this extraordinary art installation would bring a part of this neighbourhoods creative history to life and be an important contribution to our community and the city.”

“Were looking forward to hearing from the community about this site-specific proposal, which would reflect the southern edge of Gansevoort's physical and artistic history and role in the working waterfront,” says Madelyn Wils, the president and CEO of the Hudson River Park Trust, in a statement. “We think its an inspiring idea and are hopeful our neighbours will agree.”

Rendering of the proposed project Day's End by David Hammons, looking west
Courtesy Guy Nordenson and Associates

Earlier this month, the New York State Senate cleared the way for the work, and local residents during last years community board meeting were largely supportive, including Florent Morellet, the former restaurateur who said: “I love this project”. However, one long-time resident of Jane Street, who wanted to remain anonymous, said a full environmental impact study by the US Army Corps of Engineers should be done. The Whitney hired an environmental consulting firm to look at the potential impact of the installation on local wildlife and plants— including fish like endangered sturgeon—as well as the neighbourhoods historic and cultural character, and found there would be no significant long-term effects. The museums reports are posted on the Hudson River Park Trusts website, and it next plans to have the project reviewed by New York States Department of Environmental Conservation and the US Army Corps of Engineers.

The Whitney also took into consideration rising sea levels due to climate change, and the installations flood-prone location. “The tops of the concrete columns would be located in the water at high tide by the 2080s,” according to the museums report. But the work has been designed to withstand the changes in the environment and constant exposure to the elements, with an expected 100-year lifespan. If the project is approved by the public and cleared by the Hudson River Park Trusts board, construction is expected to take place from May through August 2019, and the installation would open to the public by 2020.

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Arts

Diane Keaton Dishes on Talk Show Style and Modeling for Gucci

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Diane Keaton is a talk show veteran. Over the course of her impressive career, the actor has sat down with David Letterman, Jimmy Kimmel and everyone else in between. Along the way, she’s always served bold fashion, bringing her penchant for strong shapes, dramatic chapeaus, and black-and-white ensembles to our TV screens. Where other Hollywood actors often embrace glitz and glam for press appearances, Keaton has always stayed true to her more quirky, menswear-inspired look no matter the occasion.

It’s no wonder, then, that Gucci has tapped her for a new talk show-inspired campaign for Gucci Beloved. The photo series, directed by Harmony Korine and released today, highlights the label’s four most beloved handbag styles, including the Dionysus and Jackie 1961 bags. To showcase them, creative director Alessandro Michele recreated a late-night talk show set for the shoot (complete with James Corden as host) titled the “Beloved Show.” They enlisted Hollywood stars to guest-star while toting the classic bags. “Very often, these creations are named after influential women,” says Michele. “Now, we twisted with the idea that there were two stars: the bag and the actual talent.”

The campaign features cameos from Keaton, Awkwafina, Dakota Johnson, Harry Styles, Serena Williams, and Sienna Miller, all of whom sport the luxury bags. But Keaton’s cameo undoubtedly stands out. In the photos, she wears a tan suit, red beret, and Gucci’s monogram Horsebit 1955 bag—a very Keaton look. “Not only is Alessandro beyond talented and gorgeous, I love his vision and his gentle nature,” says Keaton of the campaign. “I must also say that working with James Corden was a delight. He is so relaxed and born to be a hilarious host. It’s not fair.”

Starring in Gucci’s faux talk show was an easier task than partaking in the real deal, says Keaton. “I always prepare and I am always anxious. It is my nature,” she says, adding that she’s developed a nervous habit on the talk shows. “No matter what I wear, if you look closely, you will notice I always sit on my leg. It ruins every outfit, but it is something I inherited from my dear father, Jack Hall.”

While Keaton has enjoyed many fashion home runs on the talk shows over the years—please refer to the “dope” cap she wore on Ellen in 2018 for evidence—the star says she does have her favorite moments. Particularly, the frequent fashion talk on Letterman. “David Letterman always wanted to talk about what I wear,” recalls Keaton. “On several trips to his show, he wanted to focus on my outfit that I wore to the Oscars in 1978 [a Giorgio Armani blazer and skirt]. I put together the outfit and I thought I looked good. I got lots of slack for that, but I honestly wear what I like and I thought that ensemble was stylin’!”

And she’s right! What has made Keaton such an indelible style icon is her consistency and personality. But this spring and summer, she’s looking to shake things up… Just a bit. “I think I will give navy blue a try this spring, but I am never letting go of black, camel, and white for the spring and summer. Don’t forget with gloves, plus hats!”

Below, more of the celebrity cameos in Gucci Beloved’s new campaign.

Read from source: https://www.vogue.com/article/diane-keaton-gucci-campaign-star

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‘Visionary’ music producer Sophie dies aged 34

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Sophie, the Grammy-nominated experimental pop musician and producer, has died aged 34 following a “sudden accident” in Athens.

The Glasgow-born artist worked with the likes of Madonna and Charli XCX.

In a statement, Sophie’s management said the musician had died at around 04:00 on Saturday in the Greek capital, where she had been living.

“Sophie was a pioneer of a new sound, one of the most influential artists in the last decade,” they said.

A further statement from Sophie’s record label Transgressive, explained how the “terrible accident” had occurred.

“True to her spirituality she had climbed up to watch the full moon and slipped and fell,” they posted online. “She will always be here with us.”

“The family thank everyone for their love and support and request privacy at this devastating time.”

Sophie was also known as a transgender icon, after affirming their identity in the 2017 video for It’s Okay To Cry.

The artist’s management said she would be remembered “not only for ingenious production and creativity but also for the message and visibility that was achieved. An icon of liberation”.

‘A pioneer’

Sophie’s innovative productions drew on pop, trance and underground dance music, mixing them with warped, disorientating waveforms to create a sound that was both instantly recognisable and highly in-demand.

Madonna sought Sophie out to co-produce the 2015 single Bitch, I’m Madonna; while Charli XCX worked with the musician on her abrasive, avant-garde EP, Vroom Vroom and the hit single After The Afterparty.

Sophie’s debut album, Oil of Every Pearl’s Un-Insides, followed in 2018, exploring questions of identity, non-conformity and reinvention, while expanding her trademark sound with longer, more explorative tracks.

“Crossing boundaries of pop music and chasing transcendence, Sophie achieves the rare feat of making abstract, difficult electronic music that hits you straight in the heart,” wrote the NME in a four-star review.

The album was subsequently nominated for a Grammy for best dance/electronic album.

French pop act Héloïse Letissier, aka Christine and the Queens led the tributes to the late star, whose full name was Sophie Xeon.

Writing on Twitter, Letissier described Sophie as a “stellar producer”, “a visionary”, and “a pioneer”.

“She rebelled against the narrow, normative society by being an absolute triumph, both as an artist and as a woman” she added.

London-based Japanese singer Rina Sawayama echoed those sentiments, calling Sophie an “icon”. “The world and our community has lost a beautiful soul,” she tweeted.

Guitar hero Nile Rodgers said she was an “innovative”, “dynamic”, and “warm” person.

“Heart-breaking news,” added singer Sam Smith.

“The world has lost an angel. A true visionary and icon of our generation. Your light will continue to inspire so many for generations to come.”

After being given the Innovator gong at the Association of Independent Music (AIM) Awards in 2018, Sophie used the platform to promote trans rights.

“To be truly deserving of this award involved not only changing the sound of today’s music, but also ripping apart a deeply entrenched and deeply flawed patriarchal society,” said the producer while collecting the award.

“Creating a more diverse, inspiring and meaningful future for us and the generations whose lives our decisions affect and help shape.”

Read from source: https://www.bbc.com/news/entertainment-arts-55860938

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Ralph & Russo put Dubai on the fashion map

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Ralph & Russo is an international luxury fashion brand known for its designs that are described as both contemporary and timelessly elegant. The brand was created in London in 2010 by Tamara Ralph and Michael Russo. In 2014, it became the first British guest member in almost 100 years to be invited by the Chambre Syndicale de la Haute Couture to show their first runway collection as part of the Spring/Summer season.

In an inclusive interview with founders, Tamara and Michael, Euronews’ Jane Witherspoon got the lowdown on the iconic brand.

How did the brand come about, what did you want that brand to stand for?

Tamara Ralph: It really grew out of a passion for luxury and craftsmanship and design. I come from four generations of fashion and haute couture in my family. And when we had a chance meeting, it was something that we talked about, setting up a luxury brand. And we always had a vision to have a global luxury brand.

You were invited to join the Chambre Syndicale de la Haute Couture in Paris, the first British brand to showcase a Fashion Week in almost 100 years.

Tamara Ralph: It was really quite a big milestone and the first Australians ever to be invited. And you know it was always something that was very important for the brand. To be recognised by the Chambless Syndicale was an incredibly important achievement.

We had obviously, the support of Didier Grumbach, at the time who was the president and was actually responsible for discovering a lot of the big names in fashion and nurturing their careers. So it was wonderful to have the support.

How do you personally define couture?

Tamara Ralph: Couture is an art. You know, all of our clients that purchase couture, they purchase it for generations. It’s really something that’s an investment. It’s like a piece of jewellery. It’s something that you’ll pass down and keep forever. And for us, that’s really special.

How have dressmaking techniques changed over the years? How have you adopted the changes? Have you stayed traditional?

Tamara Ralph: So we have a really big atelier, actually, that specialises in the couture side. And then we have obviously craftsmen in the house that specialise in other product categories, such as ready to wear and things like that. But in the couture atelier, there’s forty-five languages spoken. There’s ages ranging from 16 all the way up until the 60s. And it’s really nice to have that mix of the old techniques get more modern applications and things like that. We like to push and constantly innovate. We run apprentice programmes in-house where we can train and develop and innovate as well. So that’s really important.

You’ve dressed many wonderful clients, like Meghan Markle. Is that a challenge? How exciting or daunting is it?

Tamara Ralph: No, I think it was very it was very exciting, obviously, you know.

I think it was such an iconic moment because obviously not just because of the two of them, but also because of her choice of piece for the day, which was, you know, a little bit different to what I think, you know, some people were expecting. And I think that’s nice. It showed her personality. It pushed the boundaries.

Do your clients have much input if you’re designing something specific and special for them, or do you come up with the idea and see it through to completion?

Tamara Ralph: Both

Michael Russo: We’ve had some really diverse celebrity moments from stage outfits for Beyonce to the costume outfits for Angelina Jolie, for Maleficent. It’s been so diverse. So the challenge is always there.

Tamara Ralph: Yeah but also I think with clients, all of our private clients, it’s a very personal experience, you know, no matter if they’re a celebrity or a private client. And, you know, we love to guide them and be part of the process and be very involved.

How hard has it been to showcase virtually?

Tamara Ralph: It was an evolution, that’s for sure. I think that it’s difficult to create the connection that you have with the physical show. I think that was something that was the hardest part to kind of keep, alive. But I loved the innovations and things.

I thought it was very interesting just to push the boundaries with digital, to play with new ideas. But, you know, I think that the traditional fashion shows are still very important and are important to get that sense of what the collection is about, So, you know, a balance of both going forward. I think one is just as important as the other.

Why did you choose to launch in Dubai?

Michael Russo: Well, I think Dubai has got such a multicultural following, and I think for us as well, it’s a product that’s well suited for the market.

It’s got a customer base that’s very akin to Ralph & Russo and well known to Ralph & Russo. For us in this region, it was definitely our first flagship in the region.

Would you say you have a different clientele in Dubai?

Michael Russo: I think in Dubai we find that there’s a lot of tourists here and those tourists are typically Ralph Russo clients already. So the products that we’re offering here are still akin to the ones that we use worldwide and I think relevant to our worldwide customer as well as the local market. So I think it’s a nice little mix of local and international clients.

Do you think that the fashion scene in Dubai is growing? How does it compare to known fashion cities like New York, Milan, London and Paris.

Tamara Ralph: Well, I think it’s definitely, you know, integral to the Gulf region. Yeah, you know, it’s really the hub of the region. It’s so incredibly international. And I think, you know, it’s a huge destination for fashion for the region. So, yeah, I think it’s incredibly important.

You’re about to become a mum for the first time, how is that going to change your work-life balance?

Tamara Ralph: Yeah, of course. I mean, it teaches you definitely to kind of find that balance, which I think I probably didn’t have before. And so, you know, I have a great team.

You know, we have an amazing support structure internally in the company. And we’ll find a way, you know, and plus it might be a chance to kind of venture into a full fledged childrenswear line. You know, well, I’m having a girl, so now we have our first model.

You’re expanding into accessories, are there beauty lines down the line?

Tamara Ralph: What’s been amazing actually through, just before Covid and also through Covid is, you know, a few different things. We were able to kind of reset our thinking, focus on what we’d like to achieve in the next couple of years. And so, you know, cosmetics and beauty is something we’re very interested in. Home and furnishings and everything connected to that sector is actually something that we’ve been slowly putting in the works for a little bit of time.

 

Read from source: https://www.euronews.com/2021/01/21/ralph-russo-put-dubai-on-the-fashion-map\

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