The couture line that Balenciaga launched this summer is another thing that has permanent residency in my brain. I think that what Demna [Gvasalia, creative director] is doing with sculpture and architecture through fashion is some of the most interesting theatre of our time. It’s like a marriage of Romantic and gothic style – it’s a bit ecclesiastical, almost monastic, and I want it all. There’s this really wonderful circular headpiece that feels like: “I’m going to service, but in the year 3021.”
Take five: Steve McQueen quintet crowns an art-centred London Film Festival
On 7 October, Steve McQueen stood on the red carpet in London’s Leicester Square as his new film Man..
On 7 October, Steve McQueen stood on the red carpet in London’s Leicester Square as his new film Mangrove opened the London Film Festival 2020. A short walk to the west, at Tate Britain, McQueen’s epic portrait of London’s Year 3 pupils stretches from floor to ceiling. Cross the river and walk east to Tate Modern and, until a few weeks ago, one could view the first major exhibition of the artist’s work in London since he won the Turner Prize in 1999.
This, truly, is the crowning year of the London-born and bred artist’s career to date. For McQueen did not just present one film at the festival, but five. McQueen’s ambitious anthology films, which he has called Small Axe, are his most personal yet, confronting the institutional racism and poverty that was part of his lived experience as a young, working-class man growing up in Hanwell, west London, in the 1970s and 1980s.
Steve McQueen’s film Mangrove, to be broadcast on BBC and Amazon Prime, examines the trial in the early 1970s of a group of Black activists arrested in London’s Notting Hill
Photographer: Des Willie; © McQueen Limited.
Mangrove, which will be available on the BBC and Amazon Prime along with the whole Small Axe series from 15 November, dramatises the true story of the Mangrove Nine, the Black activists arrested in Notting Hill in 1970—less than a year after McQueen’s birth—for apparently inciting a riot during a political protest. The trial that followed marked the first judicial admission of racial hatred within the Metropolitan Police.
This deeply evocative film, in which the drab streets of 1960s west London are made tangibly real, showcases McQueen’s incredible ability to fuse incidental details with fluent and direct storytelling. It’s a film born of tamped-down anger, but also of a searing love for the humour, style and spirit of the streets of west London. McQueen’s roots are beautifully summoned here, and Mangrove’s socio-politics are all the more powerful for it.
McQueen’s remarkable creative outpouring, seen in the wake of George Floyd’s death in the US, dominated discussions at the festival. And yet a vein of art-centred films, from contemporary documentaries to arthouse archival revivals to independent dramas, ran through the event’s programme.
The Painter and the Thief explores the relationship between an artist and the criminal who stole her work from an Oslo gallery.
Photo by Barbora Kysilkova; Courtesy of Sundance Institute
The London of yesteryear is also captured in Delia Derbyshire: The Myths and Legendary Tapes, debut director Caroline Catz’s love-strewn ode to the eponymous British “psycho-acoustic” musician, famed for composing the theme tune for Doctor Who while hidden away in a BBC basement as a veteran member of the BBC Radiophonic Workshop. The film combines rich and hidden archive with modern dramatisations (in which Catz also features) and a memorable soundtrack from the performance artist Cosey Fanni Tutti, who incorporates samples from Derbyshire’s Attic Tapes, a trove of music discovered posthumously.
Also screened at the festival was Kajillionaire, the US polymath and performance artist Miranda July’s third feature, a gentle, comedic depiction of a family of con artists as they swindle theRead More – Source
Leeds Festival: Bad Boy Chiller Crew get Yorkshire bouncing
Bad Boy Chiller crew may have started out as a bit of a joke online but on Friday they provided some serious party vibes as Leeds Festival got under way.
Bradford’s notorious bassline collective got a sea of bucket hats bouncing with their infectious energy and hilarious stage presence.
The rap-dance collective brought their dads/friends onstage for a rave, while downing booze in between spitting bars.
But they were enjoying themselves for so long organisers pulled the plug.
Having overrun, the fun-loving outfit had their microphones, decks and music silenced, drawing boos from revellers as they stormed off to make room for a “No Leeds on a Dead Planet” public service video about environmental concerns around the event.
West Yorkshire Police later said they arrested two people following an incident on stage at Leeds Festival shortly after 16:00 BST on Friday.
The pair were subsequently bailed, pending further enquiries.
In recent years, the rap trio, comprised of Gareth “GK” Kelly, Kane Welsh and Sam “Clive” Robinson have have been not so quietly working their way up the bill at their home county festival, rapping over old school dance beats.
They’ve gone from starting in the BBC Music Introducing tent to one of the main stages, where they looked very at home, leading the crowd in a chorus of “oggy oggy oggy”s.
Dressed in their crispest white shirts and big red ties, the local rappers – who recently starred in their own ITV2 docu-series – raced through verses from their recent mixtape and debut album, including 450 and BMW, as well new track When It Rains, It Pours (thankfully it didn’t, as the clouds covered the Yorkshire sun for the first time on Friday).
They raced through beer, cider and vodka at an (alarmingly) equally rapid rate, as a family friend known affectionately as Kitchen Steve twirled a cane in a head-masterly fashion and Kelly’s dad Hopper, wearing a Burberry outfit, threw out some serious shapes and hip shakes.
One Twitter user commented: “Omg! Bad Boy Chiller Crew. What is this?! It’s like [Welsh act] Goldie Lookin Chain on speed. There is even a ‘Bez'”.
Robinson even appeared to have had an influence on, or at least reflect, some of the festival-goers’ fashion senses, with mullets adorning the heads of young men at Branham Park, for possibly the first time in decades.
Rap music from around the UK regions, not just the capital, has become more prominent on the bill here in recent years. “It’s tongue-in-cheek funny and unashamedly Yorkshire,” wrote the BBC’s Will Chalk about Bad Boy Chiller Crew – who recently launched a fans for foodbanks initiative – in an interview two years ago, when they were just starting their journey to where they are now.
Earlier on Friday, emo rocker Willow Smith, daughter of Will and Jada Pinkett Smith brought the first big singalong of the day as the crowds began to arrive in the searing heat, with one of the songs of last year, her viral hit Meet Me at the Spot.
She followed it up with a new one of her own, Hover Like a Goddess. “Every woman is a goddess,” she beamed, drawing loud cheers.
Bastille did an early set on Friday evening, having just released an extended version of their latest album Give Me the Future.
They told the BBC that performing at the double header Reading and Leeds Festivals 10 years ago in a smaller tent – and hearing one of their softer songs sung back to them with gusto – was the first time they thought they were really on to something as a band.
“We had to stop because I was it was so blown away, it just was just so overwhelming,” said singer and songwriter Dan Smith.
“That was kind of amazing moment, as particularly as back 10 years ago, Reading and Leeds was much more like rock and heavy music. So as a as a weird little cinematic indie band, and being the massive cynic that I am, I was like, ‘what’s the crowd gonna make of us?’
“So to have that first experience all those years ago was pretty surreal.”
The Leeds leg of the Bank Holiday weekender was officially opened on Thursday evening by up-and-coming Sunderland indie rocker Tom A Smith, who recently supported Sir Elton John. Afterwards he told the BBC it was “without doubt the best [gig] I’ve ever done”.
“We had mosh pits and people singing my songs back,” said Smith. “It was absolutely insane, what an experience.”
Reading and Leeds Festivals take place across two sites and will feature headline performances at each from artists including The 1975, Dave, Arctic Monkeys and Megan Thee Stallion.
Read from: https://www.bbc.com/news/entertainment-arts-62686220
On my radar: Moses Sumney’s cultural highlights
theguardian– Singer-songwriter Moses Sumney, 29, grew up between Ghana and California and studied creative writing and poetry at UCLA. His piercing falsetto and genre-defying music have brought him critical acclaim, starting with his self-recorded 2014 EP Mid-City Island, followed in 2017 by his debut album, Aromanticism, and the 2020 double album Græ. Sumney has collaborated with musicians including Bon Iver and James Blake and toured with Solange and Sufjan Stevens. His latest project is Blackalachia, a self-directed concert film created in association with WePresent, shot over two days in the Blue Ridge Mountains of western North Carolina, where he lives.
Selling Sunset (Netflix)
I pity anyone who hasn’t seen this show. It’s a reality show about a real estate agency in west Hollywood, and it follows the lives and deals of the people who work there, predominantly the female staff who are all ridiculously Barbie-ish – essentially “career Barbie on crack”. It’s incredible. I love reality TV – it tells us a lot about humanity. Reality shows are always inherently dated, so they’re a great capsule of the modern era.
Don’t Be So Hard On Your Own Beauty by Yeule
I don’t know what it is about this song, but I’m addicted to it. Yeule is a Singaporean artist based in London who’s kind of new on the scene, and this song is just so hypnotising – it hints and winks at hyperpop while being an absolutely heart-shattering folk tune. It’s a beautiful amalgamation of a lot of different genres, and it’s stunning. I have a lot of playlists – for driving, for chilling at night, a morning playlist, a folk playlist – and this is in all of them.
How to Do Nothing by Jenny Odell
I’m currently reading this – I put off reading it because it looks like a self-help book – but it’s really fascinating. The author is an artist who works largely in digital art and the book is about how to free yourself from the capitalist trappings of the workforce – not necessarily saying “quit your job”, but suggesting a new path for work. It asks the question: how can we construct our identities apart from defining ourselves by what we do and by our income? It’s a very radical book, and it’s often a hard read. But it has been mind-shifting.
Western North Carolina
I’ve been travelling a lot for work, so I’ve been thinking about how much I would prefer to spend my time in western North Carolina, particularly in the mountains, where I live. I think it’s the most beautiful place in the world. I first arrived in Asheville when I was on tour and knew immediately I wanted to live here. You turn around, 360 degrees in any direction, and you’re surrounded by trees, by the sound of animals, and that’s really a rare feeling for anyone who’s spent most of their life, as I have, living in the city.
Eve’s Bayou (Kasi Lemmons, 1997)
This stars a young Jurnee Smollett, who recently had a resurgence with Lovecraft Country. She’s 10 years old in the film, which is set in a fictional small town in Louisiana. Samuel L Jackson stars as the patriarch of the family, who is maybe cheating on his wife, his daughter sets out to kill him and punish him, perhaps through witchcraft. It was incredibly critically acclaimed and subsequently snubbed by every major award ceremony. It’s a gorgeous, heartbreaking film. I first saw it last year and I think about it every day.
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