The couture line that Balenciaga launched this summer is another thing that has permanent residency in my brain. I think that what Demna [Gvasalia, creative director] is doing with sculpture and architecture through fashion is some of the most interesting theatre of our time. It’s like a marriage of Romantic and gothic style – it’s a bit ecclesiastical, almost monastic, and I want it all. There’s this really wonderful circular headpiece that feels like: “I’m going to service, but in the year 3021.”
Black Lives Matter movement is speeding up repatriation efforts, leading French art historian says
“People are calling for a post-racist society and they are calling for restitution as part of this p..
"People are calling for a post-racist society and they are calling for restitution as part of this picture," says Bénédicte Savoy
Photo: Grace Ndiritu's Healing the Museum (2019) at the Africa Museum in Brussels. © Caroline Lessire
Bénédicte Savoy, the French art historian who co-authored the Sarr-Savoy report in 2017, which proposed repatriating artefacts plundered from Africa, says the Black Lives Matter movement has sped up restitution efforts in France.
Speaking to The Art Newspaper ahead of an online festival on colonialism in museums on 17 October, Savoy says she has observed a “psychological change in the public” over the past few weeks and months. “Particularly after the racist, violent events we have seen in the US and elsewhere, people are calling for a post-racist society and they are calling for restitution as part of this picture,” she says.
Earlier this month, after years of dragging their heels, the National Assembly of France unanimously voted to return 27 colonial-era artefacts from French museums to Benin and Senegal. It was a strong sign, Savoy believes, of “deep and rapid change in terms of the paradigm shift” in France, where public debates around restitution have lagged behind those in Germany and the Netherlands.
In another “symbol of how things are changing”, just last week, the Congolese activist Emery Mwazulu Diyabanza was fined €1,000 for attempting to seize a funeral pole from the Musée du Quai Branly in Paris—prosecutors had initially sought a €150,000 fine and a ten-year prison sentence. Savoy says: “Diyabanza’s was a provocative gesture, of the kind which already exists in cinema and literature.”
Professor Benedicte Savoy
© David Ausserhofer photography
However, such calls for repatriation have been uttered—and ignored—before. Speaking during the online festival, organised by the Goethe Institut in collaboration with Turin’s Fondazione Sandretto Re Rebaudengo, Savoy says there is a “collective oblivion” surrounding restitution debates that happened at the end of the 1970s. “Very important political steps were undertaken” to return Africa objects 40 years ago, Savoy says, “yet the initiative failed”.
Comparing such amnesia to today’s debate on climate change, which also existed at the end of the 1970s, Savoy says museums across Europe were the “major force” in opposing restitution 40 years ago.
In Germany, “museum opposition was swift and effective to organise”, Savoy says. An internal paper circulated at the time stated the term “restitution” should be rejected in favour of “transfer”, while it was recommended museums keep “pointing out the legal situation” to combat “moral pressure”. Crucially, inventories were actively discouraged: “Both our ethnological museums and cultural administrations warn against the compilation of such lists. These would only cause all the more covetousness.”
As Savoy points out, such resistance came after huge strides were made by Ekpo Okpo Eyo, a leading archaeologist from Nigeria who was the director of the Federal Nigerian Department of Antiquities, and Senegal-born Amadou Mahtar M’Bow, the former director general of Unesco—the first black African to hold this position. Savoy credits them with turning the restitution debate into “a great worldwide political project”.
Among other things, their efforts led to the publication of a Restitution Form in three languages in 1981. As Savoy says: “This document shows how far this period went, and how close and how simple restitutions of cultural assets to the so-called Third World seemed to be.”
In France, an advisory commission was formed, led by the former Louvre director, Pierre Quoniam. His team’s recommendations included “advancing a return of cultural assets” and viewing such a return as “an act of solidarity as well as fairness”.
Meanwhile, in Germany, the liberal politician Hildegard Hamm-Brücher, gave a public statement in 1982 advising the government to “be generous with restitutions of cultural assets”. The following year, a loan exhibition from Nigeria curated by Eyo, including around 100 objects dating from 500 BC to the 19th century worth nearly $30m, took place on the Museum Island, then in East Berlin.
Savoy paints a different picture with the opening in December of the Humboldt Forum, a vast museum housing ethnographic collections in a reconstructed royal palace in the heart of Berlin. Savoy resigned from the Humboldt Forum’s advisory board in July 2017, over a lack of attention to provenance research, among other complaints. “Personally speaking, I don’t think it’s a good idea, good timing, or the right Read More – Source
Leeds Festival: Bad Boy Chiller Crew get Yorkshire bouncing
Bad Boy Chiller crew may have started out as a bit of a joke online but on Friday they provided some serious party vibes as Leeds Festival got under way.
Bradford’s notorious bassline collective got a sea of bucket hats bouncing with their infectious energy and hilarious stage presence.
The rap-dance collective brought their dads/friends onstage for a rave, while downing booze in between spitting bars.
But they were enjoying themselves for so long organisers pulled the plug.
Having overrun, the fun-loving outfit had their microphones, decks and music silenced, drawing boos from revellers as they stormed off to make room for a “No Leeds on a Dead Planet” public service video about environmental concerns around the event.
West Yorkshire Police later said they arrested two people following an incident on stage at Leeds Festival shortly after 16:00 BST on Friday.
The pair were subsequently bailed, pending further enquiries.
In recent years, the rap trio, comprised of Gareth “GK” Kelly, Kane Welsh and Sam “Clive” Robinson have have been not so quietly working their way up the bill at their home county festival, rapping over old school dance beats.
They’ve gone from starting in the BBC Music Introducing tent to one of the main stages, where they looked very at home, leading the crowd in a chorus of “oggy oggy oggy”s.
Dressed in their crispest white shirts and big red ties, the local rappers – who recently starred in their own ITV2 docu-series – raced through verses from their recent mixtape and debut album, including 450 and BMW, as well new track When It Rains, It Pours (thankfully it didn’t, as the clouds covered the Yorkshire sun for the first time on Friday).
They raced through beer, cider and vodka at an (alarmingly) equally rapid rate, as a family friend known affectionately as Kitchen Steve twirled a cane in a head-masterly fashion and Kelly’s dad Hopper, wearing a Burberry outfit, threw out some serious shapes and hip shakes.
One Twitter user commented: “Omg! Bad Boy Chiller Crew. What is this?! It’s like [Welsh act] Goldie Lookin Chain on speed. There is even a ‘Bez'”.
Robinson even appeared to have had an influence on, or at least reflect, some of the festival-goers’ fashion senses, with mullets adorning the heads of young men at Branham Park, for possibly the first time in decades.
Rap music from around the UK regions, not just the capital, has become more prominent on the bill here in recent years. “It’s tongue-in-cheek funny and unashamedly Yorkshire,” wrote the BBC’s Will Chalk about Bad Boy Chiller Crew – who recently launched a fans for foodbanks initiative – in an interview two years ago, when they were just starting their journey to where they are now.
Earlier on Friday, emo rocker Willow Smith, daughter of Will and Jada Pinkett Smith brought the first big singalong of the day as the crowds began to arrive in the searing heat, with one of the songs of last year, her viral hit Meet Me at the Spot.
She followed it up with a new one of her own, Hover Like a Goddess. “Every woman is a goddess,” she beamed, drawing loud cheers.
Bastille did an early set on Friday evening, having just released an extended version of their latest album Give Me the Future.
They told the BBC that performing at the double header Reading and Leeds Festivals 10 years ago in a smaller tent – and hearing one of their softer songs sung back to them with gusto – was the first time they thought they were really on to something as a band.
“We had to stop because I was it was so blown away, it just was just so overwhelming,” said singer and songwriter Dan Smith.
“That was kind of amazing moment, as particularly as back 10 years ago, Reading and Leeds was much more like rock and heavy music. So as a as a weird little cinematic indie band, and being the massive cynic that I am, I was like, ‘what’s the crowd gonna make of us?’
“So to have that first experience all those years ago was pretty surreal.”
The Leeds leg of the Bank Holiday weekender was officially opened on Thursday evening by up-and-coming Sunderland indie rocker Tom A Smith, who recently supported Sir Elton John. Afterwards he told the BBC it was “without doubt the best [gig] I’ve ever done”.
“We had mosh pits and people singing my songs back,” said Smith. “It was absolutely insane, what an experience.”
Reading and Leeds Festivals take place across two sites and will feature headline performances at each from artists including The 1975, Dave, Arctic Monkeys and Megan Thee Stallion.
Read from: https://www.bbc.com/news/entertainment-arts-62686220
On my radar: Moses Sumney’s cultural highlights
theguardian– Singer-songwriter Moses Sumney, 29, grew up between Ghana and California and studied creative writing and poetry at UCLA. His piercing falsetto and genre-defying music have brought him critical acclaim, starting with his self-recorded 2014 EP Mid-City Island, followed in 2017 by his debut album, Aromanticism, and the 2020 double album Græ. Sumney has collaborated with musicians including Bon Iver and James Blake and toured with Solange and Sufjan Stevens. His latest project is Blackalachia, a self-directed concert film created in association with WePresent, shot over two days in the Blue Ridge Mountains of western North Carolina, where he lives.
Selling Sunset (Netflix)
I pity anyone who hasn’t seen this show. It’s a reality show about a real estate agency in west Hollywood, and it follows the lives and deals of the people who work there, predominantly the female staff who are all ridiculously Barbie-ish – essentially “career Barbie on crack”. It’s incredible. I love reality TV – it tells us a lot about humanity. Reality shows are always inherently dated, so they’re a great capsule of the modern era.
Don’t Be So Hard On Your Own Beauty by Yeule
I don’t know what it is about this song, but I’m addicted to it. Yeule is a Singaporean artist based in London who’s kind of new on the scene, and this song is just so hypnotising – it hints and winks at hyperpop while being an absolutely heart-shattering folk tune. It’s a beautiful amalgamation of a lot of different genres, and it’s stunning. I have a lot of playlists – for driving, for chilling at night, a morning playlist, a folk playlist – and this is in all of them.
How to Do Nothing by Jenny Odell
I’m currently reading this – I put off reading it because it looks like a self-help book – but it’s really fascinating. The author is an artist who works largely in digital art and the book is about how to free yourself from the capitalist trappings of the workforce – not necessarily saying “quit your job”, but suggesting a new path for work. It asks the question: how can we construct our identities apart from defining ourselves by what we do and by our income? It’s a very radical book, and it’s often a hard read. But it has been mind-shifting.
Western North Carolina
I’ve been travelling a lot for work, so I’ve been thinking about how much I would prefer to spend my time in western North Carolina, particularly in the mountains, where I live. I think it’s the most beautiful place in the world. I first arrived in Asheville when I was on tour and knew immediately I wanted to live here. You turn around, 360 degrees in any direction, and you’re surrounded by trees, by the sound of animals, and that’s really a rare feeling for anyone who’s spent most of their life, as I have, living in the city.
Eve’s Bayou (Kasi Lemmons, 1997)
This stars a young Jurnee Smollett, who recently had a resurgence with Lovecraft Country. She’s 10 years old in the film, which is set in a fictional small town in Louisiana. Samuel L Jackson stars as the patriarch of the family, who is maybe cheating on his wife, his daughter sets out to kill him and punish him, perhaps through witchcraft. It was incredibly critically acclaimed and subsequently snubbed by every major award ceremony. It’s a gorgeous, heartbreaking film. I first saw it last year and I think about it every day.
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