Connect with us

Arts

George Clooney tries to save humanity in chilly apocalyptic drama ‘The Midnight Sky’

Published

on

George Clooney takes his biggest directorial swing yet with “The Midnight Sky,” and comes away with a decidedly mixed result. A beyond-bleak post-apocalyptic thriller, the sci-fi film reaches a reasonably satisfying finish, but follows an uneven orbit in getting there.

The actor-director’s filmography has exhibited an interest in end-of-the-world scenarios — including producing and starring in a remake of “Fail Safe” for CBS — and he’s back in that territory here. Set in 2049, the movie begins three weeks after an unspecified “event” that will spell mankind’s doom, with Clooney’s Augustine — situated at an outpost in the Arctic — still alive, but for how long no one knows.
Still, Augustine has one task left to perform: Warning a spaceship with a diverse crew of astronauts from returning to a dying planet, but rather hoping to divert them, after a deep-space mission that might have provided hope of a habitable planet upon which they could take refuge.
Adapted from Lily Brooks-Dalton’s book “Good Morning, Midnight” by writer Mark L. Smith (“The Revenant”), the film oscillates between the astronauts and Augustine, while fleshing out details about his character through a series of flashbacks.
The premise is bleak and the sledding (literally, when Augustine realizes he needs to reach another location to contact them) arduous. There are also formidable challenges facing the explorers, with a crew that includes Felicity Jones, David Oyelowo, Kyle Chandler, Demián Bichir and Tiffany Boone.
Barring one pretty dramatic space-faring action sequence, “The Midnight Sky” moves along somewhat listlessly, especially during the earth-bound sequences involving Clooney and the young girl (Caoilinn Springall) who becomes his companion. (Tom Hanks also plays opposite a child in “News of the World,” so there must be something in the water.)
Perhaps inevitably, the film bears a resemblance to other recent space-set fare, including a film in which Clooney co-starred, “Gravity,” and Christopher Nolan’s cerebral “Interstellar.” The main difference is a prevailing sense of hopelessness that works as a drag against the drama.
Clooney established early on with “Good Night, and Good Luck” that he was a serious filmmaker, as opposed to a dabbling movie star, and he has taken chances with projects of questionable commercial viability, a la the off-kilter “Suburbicon” and “The Monuments Men.”
“The Midnight Sky” is spared from any pressure to light up the box-office sky on Netflix, and that’s just as well. Because while Clooney has delivered a sobering and thoughtful film, dramatically speaking the story — a bit like Clooney’s taciturn scientist — feels confined in a prison of its own making.

Continue Reading

Arts

On my radar: Moses Sumney’s cultural highlights

Published

on

theguardian– Singer-songwriter Moses Sumney, 29, grew up between Ghana and California and studied creative writing and poetry at UCLA. His piercing falsetto and genre-defying music have brought him critical acclaim, starting with his self-recorded 2014 EP Mid-City Island, followed in 2017 by his debut album, Aromanticism, and the 2020 double album Græ. Sumney has collaborated with musicians including Bon Iver and James Blake and toured with Solange and Sufjan Stevens. His latest project is Blackalachia, a self-directed concert film created in association with WePresent, shot over two days in the Blue Ridge Mountains of western North Carolina, where he lives.

1. TV

Selling Sunset (Netflix)

I pity anyone who hasn’t seen this show. It’s a reality show about a real estate agency in west Hollywood, and it follows the lives and deals of the people who work there, predominantly the female staff who are all ridiculously Barbie-ish – essentially “career Barbie on crack”. It’s incredible. I love reality TV – it tells us a lot about humanity. Reality shows are always inherently dated, so they’re a great capsule of the modern era.

2. Music

Don’t Be So Hard On Your Own Beauty by Yeule

I don’t know what it is about this song, but I’m addicted to it. Yeule is a Singaporean artist based in London who’s kind of new on the scene, and this song is just so hypnotising – it hints and winks at hyperpop while being an absolutely heart-shattering folk tune. It’s a beautiful amalgamation of a lot of different genres, and it’s stunning. I have a lot of playlists – for driving, for chilling at night, a morning playlist, a folk playlist – and this is in all of them.

3. Book

How to Do Nothing by Jenny Odell

I’m currently reading this – I put off reading it because it looks like a self-help book – but it’s really fascinating. The author is an artist who works largely in digital art and the book is about how to free yourself from the capitalist trappings of the workforce – not necessarily saying “quit your job”, but suggesting a new path for work. It asks the question: how can we construct our identities apart from defining ourselves by what we do and by our income? It’s a very radical book, and it’s often a hard read. But it has been mind-shifting.

4. Place

Western North Carolina

I’ve been travelling a lot for work, so I’ve been thinking about how much I would prefer to spend my time in western North Carolina, particularly in the mountains, where I live. I think it’s the most beautiful place in the world. I first arrived in Asheville when I was on tour and knew immediately I wanted to live here. You turn around, 360 degrees in any direction, and you’re surrounded by trees, by the sound of animals, and that’s really a rare feeling for anyone who’s spent most of their life, as I have, living in the city.

5. Film

Eve’s Bayou (Kasi Lemmons, 1997)

This stars a young Jurnee Smollett, who recently had a resurgence with Lovecraft Country. She’s 10 years old in the film, which is set in a fictional small town in Louisiana. Samuel L Jackson stars as the patriarch of the family, who is maybe cheating on his wife, his daughter sets out to kill him and punish him, perhaps through witchcraft. It was incredibly critically acclaimed and subsequently snubbed by every major award ceremony. It’s a gorgeous, heartbreaking film. I first saw it last year and I think about it every day.

6. Fashion

Balenciaga

The couture line that Balenciaga launched this summer is another thing that has permanent residency in my brain. I think that what Demna [Gvasalia, creative director] is doing with sculpture and architecture through fashion is some of the most interesting theatre of our time. It’s like a marriage of Romantic and gothic style – it’s a bit ecclesiastical, almost monastic, and I want it all. There’s this really wonderful circular headpiece that feels like: “I’m going to service, but in the year 3021.”

… we have a small favour to ask. Millions are turning to the Guardian for open, independent, quality news every day, and readers in 180 countries around the world now support us financially.

We believe everyone deserves access to information that’s grounded in science and truth, and analysis rooted in authority and integrity. That’s why we made a different choice: to keep our reporting open for all readers, regardless of where they live or what they can afford to pay. This means more people can be better informed, united, and inspired to take meaningful action.

In these perilous times, a truth-seeking global news organisation like the Guardian is essential. We have no shareholders or billionaire owner, meaning our journalism is free from commercial and political influence – this makes us different. When it’s never been more important, our independence allows us to fearlessly investigate, challenge and expose those in power. Support the Guardian from as little as $1 – it only takes a minute. If you can, please consider supporting us with a regular amount each month. Thank you.

Continue Reading

Arts

Hong Kong’s famous Tiananmen Square ‘Pillar of Shame’ statue removed from university

Published

on

cnn– For more than 20 years the “Pillar of Shame” sculpture stood as a memorial to the victims of the 1989 Tiananmen Square massacre, in which the Chinese military crushed protests led by college students in Beijing with deadly force.
Atop a podium in the University of Hong Kong’s (HKU) campus, the 26-foot-tall (8 meter) statue of contorted human torsos was one of the last iconic memorials to victims of the bloody crackdown remaining on Hong Kong soil.
But around midnight on Thursday, yellow construction barriers were erected around the statue and the sounds of cracking and demolition were heard as the sculpture was removed under the cover of darkness.
Images taken during the removal process show workers wrapping the statue in protective film and lifting it out of the campus on a crane in two distinct parts. The HKU Council, the university’s governing body, said in a statement the sculpture will be held in storage.
A witness said Thursday morning the site of the sculpture is now empty and students have been seen crying on campus following the removal. CNN agreed to not disclose the name of this witness because the person feared retribution from authorities.
That fear of retribution is common among those who speak out against authorities in Hong Kong since Beijing imposed the National Security Law on the city in 2020, punishing offenses such as subversion and secession with sentencesof up to life in prison.
The HKU Council said in a statement the removal “was based on external legal advice and risk assessment for the best interest of the university.”
The sculpture, which stood in the Haking Wong Building of the university, was part of a series of works by Danish artist Jens Galschiøt created in 1997 — the year Hong Kong was returned to China after more than 150 years of British rule. The sculpture includes the inscription: “The old cannot kill the young forever,” and was built to serve “as a warning and a reminder to people of a shameful event which must never reoccur,” according to the description on Galschiøt’s website.
Galschiøt called the statue’s removal “a very hard attack against the free word in the world.”
He told CNN that he hopes to bring the statue back to Denmark so he can reassemble it. His wish is to then bring it to Washington D.C., where he hopes to place it in front of the Chinese Embassy. There, it will serve as a message to Beijing that the massacre is remembered and spoken about, he said.
For three decades, Hong Kong has been the only place on Chinese-controlled soil where an annual mass vigil has been held to mark the events in and around Tiananmen Square on June 4, 1989.
The clampdown remains one of the most tightly censored topics in mainland China, with discussions of it scrubbed from mass media. Chinese authorities have not released an official death toll, but estimates range
from several hundred to thousands.
After the 1997 handover, the continuation of the vigil and similar memorials were seen as a litmus test for Hong Kong’s ongoing autonomy and democratic freedoms, as promised in its de facto constitution.
However, in the wake of national security law, scores of prominent pro-democracy politicians and activists have been jailed or fled the city, and numerous civil society groups have disbanded.
Attempts to commemorate the events of June 4 have also been adversely impacted.
The last two Tiananmen vigils have been banned by police, citing coronavirus restrictions. Prominent activists, including Joshua Wong and media tycoon Jimmy Lai, were later jailed for participating in an unauthorized public commemoration in 2020.
A Hong Kong museum dedicated to the victims of June 4 was forced to close earlier this year and moved its entire collection online citing “political oppression.”
And on Friday, two more Tiananmen Square crackdown memorials were also removed from Hong Kong campuses.
The Chinese University of Hong Kong took down a “Goddess of Democracy” statue, stating it never authorized the display in the first place. The original figure was built out of papier-mâché by student protesters at Tiananmen Square in May 1989. A bronze replica was created by China-born New Zealand artist Chen Weiming and brought to the CUHK campus in 2010.
Lingnan University similarly removed a relief by the same artist, saying it “may pose legal and safety risks to the University community.”
Following news that the HKU “Pillar of Shame” sculpture was being dismantled, the artist Galschiøt wrote on his Twitter account, “I’m totally shocked that Hong Kong University is currently destroying the pillar of shame. It is completely unreasonable and a self-immolation against private property in Hong Kong.”
“We encourage everyone to go out to Hong Kong University and document everything that happens with the sculpture,” he added in a statement.
In its statement, HKU Council said, “No party has ever obtained any approval from the University to display the statue on campus, and the University has the right to take appropriate actions to handle it at any time.”
It added the university “is also very concerned about the potential safety issues resulting from the fragile statue. Latest legal advice given to the University cautioned that the continued display of the statue would pose legal risks to the University based on the Crimes Ordinance enacted under the Hong Kong colonial government.”
Efforts to preserve the memory of the sculpture are already underway, with art-activist group Lady Liberty Hong Kong creating a 3-D model made using more than 900 photos.
“The idea is that everyone can print a copy it and place it wherever they want,” said Alex Lee, the founder of the group. “In the digital age, there’s no limitation of what you can do with virtual or physical objects — (the hope is) for everyone to try to preserve this symbol.”
According to Lee, the statue represented something of the fundamental difference between Hong Kong and mainland China. “It (the statue) symbolized that Hong Kong still has room for the freedom of speech and it really means that Hong Kong is still a different part from China,” said Lee. “But then I think right now, that last really small space is gone.”
On Sunday, Hong Kong’s first “China patriots only” legislative election witnessed a record low turnout, reflecting a steep decline in civic and political engagement following Beijing’s overhaul of the city’s electoral processes earlier this year.
Following the vote, Hong Kong Chief Executive Carrie Lam traveled to Beijing and met with Chinese Leader Xi Jinping, who endorsed her administration and praised her for moving the city “from chaos to order,” according to a government statement of the meeting.
Calling the election — in which turnout was just 30.2% — a “success” Xi said the city had “made solid progress in promoting democratic development that suits Hong Kong’s reality.”
“The democratic right of Hong Kong compatriots has been shown,” Xi said.
A number of Hong Kong activists who fled abroad labeled the election — in which prospective candidates were first screened by the government — as a “sham,” a criticism echoed by many rights groups and international observers.
Top image: Workers remove part of the “Pillar of Shame” into a container at the University of Hong Kong on December 23, 2021.

Continue Reading

Arts

Il Divo singer Carlos Marin dies aged 53

Published

on

bbc– Il Divo’s Carlos Marin has died aged 53, the classical group has announced.

Marin would be “missed by his friends, family and fans”, a statement on social media said. “There will never be another voice or spirit like Carlos.”

The group had said they were praying for Marin’s recovery after he was admitted to hospital this month leading them to postpone a UK Christmas tour.

The male quartet was brought together by Simon Cowell in 2003 and achieved three UK number one albums.

Marin was born in Germany, but moved to Spain at the age of 12 and was a baritone in the group, performing alongside tenors Urs Buhler and David Miller, and pop singer Sebastien Izambard.

“Singing is my way of saying what I feel, my way of life,” he is quoted as saying on the group’s website.

“Singing is what makes me feel alive, so thank you for letting me continue making a living from what I love.”

Spanish newspaper El Pais reported Marin had been taken ill during the UK tour and placed into an induced coma at a hospital in Manchester. The nature of his illness has not been disclosed.

Il Divo’s international composition helped them achieve notable success across several worldwide tours.

Their hits included Regresa a Mi (Unbreak My Heart), The Time Of Our Lives, and I Believe In You – a duet with Celine Dion – as well as a version of Adele’s Hello.

They sold more than 30 million records, and had 160 gold and platinum discs across more than 33 countries, the group’s website said.

Continue Reading

Trending

Copyright © 2020 , madridjournals.com